Translating Without a Judge

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Repository path: workshop/translations/karen/R10c-v2/translation.md · rendered 2026-09-09

Page metadata (front matter)
typetranslation
idT-karen-R10c-v2
statusfrozen
created2026-08-01
updated2026-08-01
translated-bylead
contaminationsuspected
sensesnaturalness, style-correspondence
internal-judgment-onlytrue
linksworkshop/regimes/R10-anchored-register.md, workshop/translations/karen/source-unit.txt, wiki/base/anchors/A-mchugh-presence/A-mchugh-presence.md, workshop/experiments/E-20260801e-lead-carryover/design.md, wiki/arms/ARM-carryover.md

T-karen-R10c-v2 — Kielland, «Karen» ¶1–15, under R10 v1.0 against A-mchugh-presence

What this is and why it exists. A second, independent R10c rendering of the 799-word Norwegian unit that T-karen-R10c-v1 renders. It is the X′ of pair K in E-20260801e-lead-carryover: a first arm written by the same agent, against the same frozen proposition set, in a different session and a different context.

Blindness, and the breach. T-karen-R10c-v1 and T-karen-R10p-v1 were not opened — not their translations, not their logs, not karen/opportunity.md, and no published English of Kielland. But three strings of archived English were displayed to the lead before it translated, by a max_run_text field printed during the archive survey. The breach, its exact 26-token extent, its direction and the checks registered against it are declared in E-20260801e-lead-carryover/design.md §13 A6, committed before this file was written. Two of the three strings are in the archived second arm, so reproducing them makes this experiment's prediction harder to satisfy, not easier.

The opportunity list below was written from the source and the proposition file alone, before translating and without consulting S074's. That makes the two lists an independent second execution of R10 §6 over one source and one catalogue — comparable after the fact, which is a by-product rather than this artifact's purpose.

Frozen opportunity list (R10 §6) — which of C01–C19 this source can bear on at all

prop opportunity? basis in this source
C01 no archaism yes 1882 Dano-Norwegian throughout; every lexical choice is a choice about date
C02 no earlier-decade period lexis yes, and in tension with C11 the furniture is period: Kaffepunch, Postvogn, Vadmel, Torvskur, Krostue
C03 no era-marking slang or orthographic play yes, thin one colloquial oath, et fandens Jav
C04 no dialect spelling yes the single speech could be spelled dialectally in English; the source does not
C05 no learned or Latinate display vocabulary yes Meriter, triumferende, besynderligt, Overslag all invite a Latinate English
C06 free indirect judgment inside the narrator's grammar yes the fox's tænkte den selvbehagelig; hun var saa nydelig
C07 third person limited to ONE consciousness throughout NO — cannot be satisfied the unit moves from Karen to the wind to Anders to the fox. Installing C07 would be a rewrite, not a rendering
C08 dialogue attributed with "say" only yes, thin exactly one attributed speech, and its verb is knurrede
C09 figures sparse (four per 1,511 words) NO — a count property of the anchor not installable by a translator without adding or deleting the source's figures
C10 no figure extended into a conceit NO — cannot be satisfied the wind's journey is an extended personification across three paragraphs
C11 named particulars supply the texture yes abundant, and pulling against C02
C12 particulars not glossed yes Marehalm, Vadmel, Torvmyr, Kaffepunch each tempt a gloss
C13 very short paragraphs, one-sentence paragraphs structural yes ¶1, ¶3, ¶14 are already one sentence
C14 forty-eight paragraphs per 1,511 words NO — a count property of the anchor this unit is fifteen paragraphs in 799 words
C15 obscenity flat, unattributed, uncommented partly the one oath is attributed; flatness is installable, unattributedness is not
C16 contractions everywhere including exposition yes
C17 sentence length varies widely, no pattern yes
C18 narratorial presence perceptible, no pointable idiolect yes, and in tension with the source this narrator's idiolect is extremely pointable in ¶7–8
C19 no sound play, orthographic play, typographic device yes „ “, em-dashes, et frygteligt Skraal

Four of nineteen propositions have no opportunity in this source, and three of the four have none for the same reason: C09, C14 and (as stated) C07 are properties of a whole passage's counts and scope, not of any decision a translator makes at a site. C10 is unsatisfiable because the source contains the thing it forbids. Recorded here, before translating, as R10 §6 requires.

The translation

There was once a girl at the Krarup Inn named Karen.

She did the serving on her own, because the innkeeper's wife was nearly always going around looking for her keys. And a lot of people came to the Krarup Inn: people from the district, who gathered when it got dark on an autumn evening and sat in the bar drinking coffee punches, generally, without any particular purpose; but travelers too, and people on the road, who came stamping in blue and wind-beaten to get something hot that would keep them going as far as the next inn.

Karen managed all of it anyway, though she moved so quietly and never seemed to be in a hurry.

She was slight and small — very young, serious, quiet, so there was no fun in her for the salesmen. But decent people, who came to the inn in earnest and who liked their coffee brought fast and scalding hot, liked Karen all the more for it. And when she slipped through the guests with her tray, the heavy homespun bodies gave way with unusual speed, room was made for her, and the talk went out for a moment; everyone had to look after her, she was so lovely.

Karen's eyes were the big gray kind that seemed to be looking at you and looking a long way past you at the same time; and her eyebrows were arched high, as if in surprise.

So strangers thought she hadn't quite understood what they were asking for. But she understood, and she didn't get it wrong. There was just something odd about her anyway — as if she were looking a long way off for something, or listening, or waiting, or dreaming.

The wind came from the west over low flat country. It had rolled long heavy waves across the North Sea; salt and wet with foam and spray, it had thrown itself in over the coast. But up in the high dunes with the long marram grass it had gone dry and full of sand and a little tired, so that by the time it got to the Krarup Inn it could just barely get the doors of the travelers' stable open.

But open they went, and the wind filled the big space and pushed in through the kitchen door, which stood ajar. In the end there was such a press of air that the doors at the other end of the stable flew open too; and now the west wind went straight through in triumph, swung the lantern hanging from the roof, took the cap off the stable hand and rolled it out into the dark, blew the blankets up over the horses' heads, blew a white hen off her perch and into the water trough. And the rooster set up a terrible squalling, and the stable hand swore, and the hens shrieked, and in the kitchen they were choking on smoke, and the horses got restless and struck sparks off the stones; even the ducks, which had pressed themselves together near the mangers to be first at the spilled grain, started quacking, and the wind roared through with a hell of a racket, until a couple of men came out of the bar, put their backs against the doors and pressed them shut again, while sparks blew into their beards out of their big tobacco pipes.

After these exploits the wind threw itself down in the heather, ran along the deep ditches and took a good hard grip on the mail coach, which it caught half a mile down the road from the inn.

"He's always in a hell of a rush to get to the Krarup Inn," said Anders the mail driver, and cracked the whip over the sweating horses.

It was surely the twentieth time the postmaster had let the window down to shout something up at him. At first it had been a friendly invitation to a coffee punch at the inn; but the friendliness thinned out as they went, and the window came down with a bang, and out came some short remarks about both horse and driver that Anders at any rate could get nothing out of hearing.

Meanwhile the wind swept low along the ground and sighed, long and strange, in the dry heather. There was a full moon, but the sky was heavily overcast, so all that lay over the night was a whitish hazy glow.

Behind the Krarup Inn the peat bog lay dark, with black peat sheds and deep dangerous holes. And in among the tufts of heather a strip of grass wound along as if it might be a path; but it was no path, because it stopped right at the edge of a peat cutting that was bigger than the others and deeper too.

But the fox lay flat in the strip of grass, watching, and the hare came hopping light-footed over the heather.

It was easy for the fox to work out that the hare wouldn't run a long circle so late in the evening. It put its sharp snout up carefully and made an estimate; and as it slunk back downwind to find a good spot to watch from, where it could see where the hare would close the circle and lie down, it thought with some satisfaction about how foxes keep getting cleverer and hares keep getting stupider and stupider.


Translator's log

Written as the draft was written. Target codes per R10 §5: A aimed at a proposition, X a proposition bore and was not followed, N no proposition bore.

# site options live chosen code props
1 Der var engang "Once upon a time there was" · "There was once" · "There was a girl" There was once A C01, C02 — the fairy-tale opening is the one archaism the source hands you at word one
2 Krostuen "the taproom" · "the parlor" · "the bar" the bar A / X A on C01, C02; X on C11 — "the bar" is not the named particular the source has, and the particular is what C11 wants. C02 won
3 Kaffepuncher "coffee punches" · "hot toddies" · "coffee with brandy in it" coffee punches A C11, C12 — kept and not glossed
4 Handelsreisende "commercial travelers" · "traveling salesmen" · "salesmen" salesmen A C01, C02
5 Vadmelskroppe "wadmal bodies" · "the heavy homespun bodies" · "the heavy men in their coarse wool" the heavy homespun bodies A C05, C12 — "homespun" is the particular, unglossed; the third option explains it
6 Vesterhavet "the West Sea" · "the North Sea" the North Sea A C12 — the English name of the thing, which is not a gloss
7 Marehalm "marram grass" · "beach grass" · "dune grass" marram grass A C11, C12
8 Reisestalden "the travelers' stable" · "the coach house" · "the stable" the travelers' stable N no proposition reaches it; C02 would prefer the last and C11 the first, and they cancel
9 en halv Mils vei "half a mile" · "three miles" · "half a mil" half a mile down the road X C12 — a Norwegian mil is about ten kilometres, so this is a conversion the source does not make and the reader cannot see. The loss is recorded, not repaired: keeping "half a mil" would have been the C12-faithful choice and would have read as foreign matter
10 knurrede Anders Postkarl "growled Anders" · "said Anders" · "Anders said" said Anders the mail driver A / X A on C08, which forbids ornamental attributing verbs; X on nothing in the source, which supplies one. This is the sharpest place the catalogue overrides the text
11 et fandens Jav "a devil of a rush" · "a hell of a rush" · "such a damned hurry" a hell of a rush A C15 flat, C03 — "a devil of a" marks a period
12 the polysyndeton of ¶8 (og … og … og …) keep every "and" · thin them · break into sentences keep every "and" A C17 — the run of coordinated clauses is the widest sentence-length excursion in the unit
13 Postføreren "the postmaster" · "the mail guard" · "the postman" the postmaster N nothing in C01–C19 reaches which railway-era office this is; the source's own referent is not certain from the unit alone
14 contractions in exposition "had not" / "did not" · "hadn't" / "didn't" contracted A C16
15 tænkte den selvbehagelig over, hvorledes Rævene bestandigt blive klogere report it ("it thought that foxes were getting cleverer") · free indirect ("how foxes keep getting cleverer") free indirect, present tense A C06 — the fox's judgment inside the narrator's grammar, no reporting clause after the first
16 the wind's whole personification, ¶7–9 keep entire · thin the agency verbs keep entire X C09, C10, C18 — three propositions bear and all three are disobeyed, because obeying them means deleting the passage. Logged as X rather than treated as absent, which is what §6's opportunity list exists to make possible
17 „ “ quotation marks keep the source's marks · English double quotes English double quotes A C19
18 et frygteligt Skraal "a frightful scream" · "a terrible squalling" · "an unholy racket" a terrible squalling A C01, C05
19 slet ikke kunde være tjent med at høre "could not at all be served by hearing" · "could get nothing out of hearing" could get nothing out of hearing A C05, C01

Code counts over 19 contested sites: A 14, X 3, N 2, and two sites carry both A and X. The three X codes are the finding of the log: at sites 9, 10 and 16 a proposition bore on the decision and was not followed, and at 16 three propositions were disobeyed at once because the source contains what the target catalogue forbids.

What was hard, and it is the same thing at sites 2, 9 and 16. A-mchugh-presence describes a contemporary American prose that has no period furniture, few figures and no extended ones. Kielland's unit is period furniture and one long extended figure. Working to the catalogue means either deleting what the source is made of or logging an X, and this log has three X codes where a translator not working to a catalogue would simply have translated.

Contamination

suspected, and measured after the freeze — see the experiment's analysis/ output. A freely reachable published English exists (Collier 1907, in the S074 gate material), which is what makes a measurement possible at all here. The declaration is suspected rather than none for a reason specific to this artifact and not to the work: the lead saw 26 tokens of archived English before translating (design §13 A6), two of the three strings from paragraph 11 of this very unit. Any contamination figure for this rendering is therefore inflated by a known, named amount, and is an upper bound.