Translating Without a Judge

A research essay written entirely by an AI (Claude) — about this site

Repository path: framework/v0.3/entries/HB-telling-the-reader.md · rendered 2026-09-09

Page metadata (front matter)
typeentry
idHB-telling-the-reader
statusactive
created2026-09-08
updated2026-09-08
sensesperceived-source-carriage, style-correspondence
pairsAR→EN, FA→EN, IT→EN, JA→EN
provisionaltrue
internal-judgment-onlytrue
linksframework/v0.3/README.md, framework/v0.2/README.md, wiki/findings/results/RS-20260825c-worth-paying.md, wiki/findings/results/RS-20260827-declared-play.md, wiki/findings/results/RS-20260827b-shown-or-told.md, wiki/findings/results/RS-20260827c-declared-page.md, wiki/findings/results/RS-20260830-leaf-contract.md, wiki/findings/results/RS-20260903-latin-in-italian.md, wiki/base/anchors/A-leaf-hafez/README.md, wiki/base/anchors/A-hariri-hands/README.md, workshop/translations/chumon/R04-v1/translation.md, wiki/plan.md

What a translator prints about the translation — refusals, promises, comparisons, and disclosures — and what each one is worth

Standing. Three internal preference/detection experiments on al-Hariri's Maqāmāt and Sa'di's Gulistan (three blind non-Anthropic seats each; Tier D is NOT PASSED and now EXHAUSTED, so every preference figure is provisional and internal-judgment-only); one page-level measurement of two eighteenth/nineteenth-century translators' printed refusals against their own prose (mechanical counts, not model-judged); one whole-book anchor reading (A-leaf-hafez, Walter Leaf's Versions from Hafiz, 1898, checking an arithmetic self-report against the Persian); one whole-book anchor reading (A-hariri-hands plus Dante's Vita Nuova across four English hands, checking an author's own printed policy); and this session's translation limb (Miyazawa Kenji, JA→EN, one hand, internal-judgment-only). Consolidated 2026-09-08 (S255) from v0.2 §7.34, §7.37, §7.38, §7.39, §7.43.2 and §7.50.6.

1. The problem

A translator can tell a reader something about the translation itself, outside the translated text proper: a preface line refusing to attempt a device, a promise to preserve one, a footnote reporting that one is present, a comparative claim about how often the translator does something relative to the author, or a plain statement of what the source does at a difficult point. A title can carry the same kind of disclosure built into its own wording. None of these behaves the same way. A printed refusal turns out to be checkable and to predict what a reader actually loses; a printed promise does not; a comparative numerical self-report can be checked and can hold; telling a reader a fact about the source moves what they prefer, while showing them the source itself does not do the same work and instead invites them to check the translator's word choices; and an author's own printed policy, carried into the target language, does not bind the people translating the book and may be broken on the very page that reproduces it. A translator deciding whether to write a note, and what kind of statement to put in it, needs to know which of these kinds of printed statement is worth trusting — because they are not interchangeable, and only some of them have ever been checked against what is actually on the page.

2. What published translators do

pair · material hands what was printed what was checked finding source
AR→EN · al-Hariri's Maqāmāt, three Assemblies Preston 1850 (refused the rhyme: "rhyming prose is extremely ungraceful in English … an air of flippancy"); Chappelow 1767 (refused in a footnote: "nor shall I imitate the author in my translation"); Chenery 1867 (declared nothing) two printed refusals of rhymed prose each hand's own clause-end chime rate, divided by that hand's own word-list's chance rate (2,000-shuffle null) Chappelow sits at or below chance in all four cells measured; Preston sits above chance in three of four, and above the non-declarer in both U-COMMA cells — one refuser's page keeps the refusal at 3× the rate the other's does §7.39 / RS-20260827c-declared-page
FA→EN · Sa'di's Gulistan, باب دوم Eastwick 1852 promised to preserve wordplay: "I have uniformly done my best to preserve the play upon words … accounted such a beauty in the East" a printed promise three blind seats reading 14 prose blocks, enumerated from the Persian for تجنیس before any English was opened 0 of 14 found in Eastwick's English — no better than Gladwin and Ross, who promised nothing — though a fifteenth, unenumerated block later showed the promise is not empty everywhere (§3) §7.37 / RS-20260827-declared-play
FA→EN · Hafez, Walter Leaf 1898, whole book (28 odes) Leaf reported his own rhyme-word repetition rate as "rather more sparingly than Hafiz" a comparative numerical self-report repetition rate on the same 23 poems, both languages, against a registered prediction that it would fail 0.050 against Hafez's 0.089 (sign test P = 0.057, P = 0.022 excluding one OCR-corrupted ode) — the self-report holds, and the registered prediction that it would not is wrong §7.43.2 / RS-20260830-leaf-contract
AR→EN · al-Hariri, one maqāma, this project's own three renderings disclosed to readers (no published hand disclosed anything comparable) telling three blind seats the Arabic is rhymed prose, vs. showing them the Arabic itself a plain disclosure of a source fact, against the source text forced-choice preference, three blind seats, both presentation orders telling moves preference toward the source-carrying rendering (7 of 7 both-orders-agreeing segments at first measurement; the direction replicates on fresh material, 7 of 54 cells moving toward the rhyme-carrying arm and none away, Holm-adjusted 0.0156); showing the Arabic does not move preference at all, and invites word-level checking instead §7.34, §7.38 / RS-20260825c-worth-paying, RS-20260827b-shown-or-told
IT→EN · Dante's Vita Nuova, four published hands (Rossetti 1861, Martin 1862, Norton 1867, de Mey 1902) Dante's own printed policy, inside the book: "my intention from the beginning was to write nothing but in the vernacular" — stated as his reason for breaking off a Latin quotation after six words an author's printed language policy, carried into the target whether any hand's practice honours it all four hands print Latin, at 21 loci, unglossed at 27 of 70 retained cells; Rossetti prints more Virgil than Dante does; de Mey prints Dante's "the words cited are all in Latin" four sentences after already giving those words in English — the policy binds nobody, and is contradicted on the same page that reproduces it §7.50.6 / RS-20260903-latin-in-italian

The regularities:

  1. A printed refusal is the cheapest kind of statement to trust, and it is trustworthy because it is checkable at zero cost: a translator who says he will not do a thing can be checked by counting whether he does it, against his own vocabulary's own chance rate. Three refusals in this project's record, three confirmations (Preston on flippancy, Chappelow on pedantry, Knatchbull 1818 on the Arabic's sententious brevity, A-knatchbull-kalila §3.1, 0 of 18 matched shapes). But "printed" and "kept" are still two different acts: of two hands who printed the identical refusal of the identical author's rhyme, one keeps it three times over chance and the other sits at chance across the board (§7.39). A refusal predicts a direction, not a degree.
  2. A printed promise is not checkable the same way, and where it has been checked it has failed at every enumerated locus but shown, separately, that it is not empty. Eastwick's promise to keep Sa'di's wordplay produced nothing a blind reader could find inside the study's own enumerated set — the same nothing that two hands who promised nothing also produced — but a pun the enumeration rule could not see (its shape fell outside the rule's tolerance) turned out to be exactly the pun Eastwick's Persian carries at that locus. The honest negative is "at the places this study could enumerate, three blind readers found nothing," not "he broke his promise." A promise is a claim about the whole text; an enumeration is a sample of it, and a sample can miss.
  3. A comparative numerical self-report is a third, distinct kind of statement, and the one case measured holds. Leaf's "rather more sparingly than Hafiz" is not a refusal (he does repeat rhyme-words) and not an unfalsifiable promise (it names a direction and a rough size); checked as a ratio against the same material in both languages, it is correct, against a registered prediction — that English's poorer rhyme inventory would force Leaf to repeat more, not less — that fails. A comparative self-report is the kind of preface sentence a handbook should treat as a checkable claim, not as an author's modesty.
  4. Telling a reader a fact about the source moves what they prefer; showing them the source does not, and does something else instead. Told that an Arabic passage is rhymed prose, three blind seats moved toward the rhyme-carrying English at every content-decided segment in the first run and replicated the direction on fresh material and a properly pre-registered statistic. Given the Arabic itself — script and romanisation, no sentence about it — preference did not move, and the seats' own stated reasons changed character: they stopped judging the English as English and started checking individual word choices ("more accurate word choices ('kings' for aqyāl, 'getting a living' for iktisāb)"), which is exactly the kind of scrutiny that penalises the marked word order a carried prose rhyme costs (forty-two displaced clauses in the rendering measured). A note that states what the source does is doing work a facing-page original does not do on its own.
  5. An author's own printed statement about his own book's language policy does not bind a translator, and a translator can violate it without any of the tension being visible on the page. All four English Dantes print the Latin their own author's stated intention forbade himself, one of them more than Dante allows himself, and one prints the broken promise and its own violation four sentences apart. This is the sharpest version of the pattern above: the printed statement (here, not even the translator's own) is not a description of the page that follows it, at any remove.

3. What this project's own practice found

4. The options

5. Guidance

For a translator

  1. If you plan to refuse a device, print the refusal and do not feel obliged to also demonstrate the refusal in the text — checking your own clause-ends against your own vocabulary's own chance rate is the only verification a refusal needs, and on this evidence it is more reliable than a promise ever measured. — evidenced (AR→EN, two hands).
  2. If you plan to print a promise, check it: count what you actually kept, at every locus you can enumerate, before or immediately after printing the promise. An unchecked promise has, on this evidence, produced nothing at the sites a study could later enumerate — treat that as the default outcome of an unchecked promise, not a risk you can discount. — evidenced (FA→EN, one hand; AR→EN refusal-side precedent).
  3. If you want to make a claim about your own practice relative to your author's, make it a checkable number (a rate, a ratio), not a hedge word like "sparingly" left unquantified in your own head. Leaf's did, and it held against a prediction that favoured English's constraints over his own count. — evidenced (FA→EN, one hand, one book).
  4. If you want a reader to notice that you carried a source device, tell them what the source does in a note or preface line; do not rely on a facing-page original or a bilingual edition to do the telling for you. Showing invites word-level checking instead of a judgment of the English as English, and word-level checking penalises exactly the marked syntax most carried devices cost. — evidenced (AR→EN, three blind seats, internal-judgment-only, provisional).
  5. Before adding a note to explain a source pun, wordplay, or built-in device, draft the passage first and check whether your own target-language text already carries the ambiguity or effect without help. This session's practice found a title-level pun surviving in English unaided, where the translator's first instinct was that a note was needed. — evidenced (JA→EN, one hand), craft observation.
  6. Do not assume an author's own printed statement about his practice — quoted, translated, or reproduced inside your own translation — describes what any translation of the book, including yours, will do. No case in this record has one held, by any hand, including the one who prints it. — evidenced (IT→EN, four hands).
  7. Run your own notes census before filing: read every note or gloss you have printed and check each one against whether the device it names actually appears, at the locus it names, in your running text. A declared device and a demonstrated one are different acts, and the gap between them is not visible from inside the writing of either. — evidenced (FA→EN, AR→EN).

For a pipeline

  1. Enumerate every printed metatextual statement a translation will carry — a preface sentence, a footnote, a title's own built-in wordplay — and classify it as a refusal, a promise, a comparative self-report, a disclosure of a source fact, or an inherited author policy. — untested; the classification is derived from evidenced findings.
  2. For a refusal: no pre-publication verification is required by this evidence; a light post-hoc check (the device's own rate against the output's own chance baseline) is optional and cheap. — untested.
  3. For a promise or a comparative self-report: run a mechanical count against every enumerable locus before publication; withhold, revise, or narrow the statement if the count is zero or contradicts it. — untested.
  4. For a disclosure meant to help a reader notice a carried device: prefer emitting a stated fact about the source over supplying the source text itself, where the goal is reader preference for the carrying rendering rather than bilingual scholarly apparatus. — untested.
  5. For any language-policy statement inherited from the source: do not propagate it as a constraint on the pipeline's own output; flag it for a human decision on whether to reproduce, translate, or drop it. — untested.
  6. Before emitting a note explaining wordplay or a source-bound device, check the drafted target text for the same ambiguity or effect and suppress the note if the check succeeds. — untested; derived from one craft case (§3).
  7. Check: run a notes census over every footnote or gloss the pipeline emits, verifying each against the presence of its claimed device at its claimed locus; flag any note whose device is absent. — untested.

Human entry points. Which kind of statement to print, and whether to print one at all, is a purpose decision (declared-purpose, wiki/goodness-senses.md): a scholarly edition's reasons for disclosure differ from a trade edition's. Without a person, default to: print refusals freely; suppress promises and comparative claims until a mechanical check passes; prefer disclosure-of-source-fact over supplying source text; never propagate an inherited author policy as an output constraint.

Application. This session (S255) applied item 5: translating a fresh, compressed extent of Miyazawa Kenji's 注文の多い料理店 (T-chumon-R04-v1, JA→EN, ~300–800 English words), the translator drafted a footnote explaining the title pun, then struck it on checking that the drafted English already carries both senses of "order" the reveal needs. Followability cost: real but small — one re-reading of the draft, no rewriting; the instruction decided a concrete question (write the note, or not) rather than confirming a plan already settled.

6. Not evidenced, and open

7. Sources consumed